Doors at 6 p.m., Show at 6:30 p.m.
$10 in advance, $13 at the door
With a sprawling vocal range and compelling approach to composition, PEI’s Dylan Menzie made an indelible mark in the talent-rich Atlantic Canadian music market. In 2016, he was a finalist in CBC’s annual Searchlight competition on the back of his breakout single, “Kenya,” which then spent two weeks at number one on CBC Radio 2’s Top 20 leading up to the release of his 2016 album Adolescent Nature. Drawing clear influence from the likes of My Morning Jacket, Led Zeppelin, Radiohead, and Joel Plaskett without being derivative of any one, the quality of these songs heavily belies the young artist’s age. He’s performed alongside acts like City & Colour and Ron Sexsmith and at major events like Canadian Music Week and the Edmonton Folk Festival, and if he continues on his current trajectory of each new song, each new release eclipsing its predecessor, he’ll soon be impossible to ignore.
Since first planting roots within the Canadian music scene in 2011, Ken Yates has steadily grown a reputation as one of the country’s brightest singer/songwriters. His sound offers the complete package—unforgettable melodies, emotionally charged storytelling, and top-notch guitar chops—all gloriously displayed on Yates’ new album, Huntsville. Produced by Jim Bryson (Weakerthans, Kathleen Edwards), Yates’ second full-length effort is a major stylistic step forward, with its 11 tracks capturing his artistic evolution amid extensive touring over the past three years. “Keep Your Head Down,” with its subtle, driving groove, opens the album like a train pulling out at dawn, with vast, open vistas lying ahead. Those come into focus on other key tracks such as “Once More To The Lake,” “Roll Me On Home” and “The Best Part Of Leaving.” Yet, everywhere on the album, echoes of the Canadian songwriting tradition, from Gordon Lightfoot to Bruce Cockburn to Ron Sexsmith, are apparent, proving that with Huntsville, Ken Yates is ready to join that exalted company.